![]() ![]() It’s still a staples of Carey’s live shows, and oft-performed by her and others at tributes and disaster-relief telethons such as the 9/11 benefit “America: A Tribute to Heroes.” The lyrics may be mired in easy, rhyming clichés (“when you feel your hope is gone / look inside you and be strong”), but the song’s powerful message and inspirational chorus are both testaments to its staying power two decades later. Blige’s “Real Love” and Brownstone’s “If You Love Me.” Even if the wistful lyrics are a bit sad when considered in context of Mariah’s relationship with Tommy Mottola, the song is stuffed with too many perfect-pop ingredients (a live, insistent beat, a catchy “doo doo doo doo” hook, an indelible chorus) to be a downer. Mariah cuts straight to the chase, sticking her trademark upper-octave vocals at the beginning of this uptempo R&B jam from producer Dave Hall, who lent a similar touch to 90s classics like Mary J. Still, it’s one of the strongest albums in her catalog and has arguably the best hits-to-filler ratio of any other pop album released at the time this side of “The Sign.” Which “Music Box” tracks are the best? Read on for our classic track-by-track review. Ultimately a product of 1993, “Music Box” does have a few ballads that sound dated and soggy, and Carey’s first teaming with Babyface (“Never Forget You”) is a bit, well, forgettable. After all, what happily married woman would kick off her album with the plea “Dreamlover, come rescue me”? The project also saw her taking the reins of her remixes, kicking off the now common-for-Carey process of cutting all-new vocals for dance and, later, hip-hop remixes of her singles like “Dreamlover” and “Anytime You Need A Friend,” the latter of which was remixed by C&C Music Factory’s David Cole and Rovert Clivilles, who also co-penned the album’s two dance tracks. Indeed, Carey co-penned all of “Music Box”‘s tracks outside of the “Without You” cover, and marked the first time she showed signs on record of her uncomfortable marriage to label boss Tommy Mottola. It’s not somebody else’s perception of me.” But now I’ve gone through the process of getting more control, producing my own stuff, and now it’s more me coming across. And that kind of definitely rubbed off on me. “When I made my first album it was like, I got my record deal at 18 years old and I worked with these really big producers who had their own sound. “It’s gotten progressively to be more of me,” Mariah told MTV News in an interview during the time of “Music Box”‘s release.
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